In line with the New Year, New Game challenge, and as a way to break out of my slump, I have started up a new campaign in an old game system: Underground. My plan to break the slump was to change things up and get out of the old habits I used to run my sessions and campaigns. To start that off on the right foot, I changed up how I put together the campaign by making a stew of some of the best campaign setup techniques I have come across from other games.
The Campaign Framework
There are a ton of different names for this, but it is sometimes known as ‘The Pitch’. This is the collection of decisions that are made about the campaign you are going to run. It includes things such as what rules are used, what the setting is, what role the characters play, and the initial story arc that you are going to tell. The framework informs everyone about the campaign you will be playing. There are many different ways of coming up with the framework.
My Old Way
In the past, after coming to a group decision on the system we were playing, I would come up with the rest of the framework and make a traditional campaign pitch. It was not a one way street, but I was more than happy to take input from the players and adapt my ideas to incorporate theirs. This technique served me well in many campaigns, and one of my best campaigns – Elhal – was created in this way.
The New Way
To push me out of my comfort zone, I wanted to change things up and come at the framework in a more collaborative manner. While re-reading the rule book, I kept my head clear of any story or any role the players would take. Underground is a game that has a very rich campaign setting, with the ability to play within it in a large number of ways (e.g Criminals, Law Enforcement, Corporate Raiders, etc), so there is potential to take the game in many directions. I informed the players (both of them) that as a group we would determine the role of the players and the goals for the campaign.
Stealing Is The Highest Form of Flattery
There are a lot of modern RPGs that do a great job of involving players in the campaign setup. My RPG (and Kickstarter) addiction has netted me a nice collection of games to pull from. I have not had a chance to play all of them, but I love to read them and see the different ways that games approach this area. I decided that I would “borrow” from a handful of these games, putting together a mashup of these ideas with the intention of creating a campaign setup that had a lot of player input.
Here are the games that I borrowed from and how I implemented them into my own campaign setup:
Dresden Files —
Dresden Files has a great set of rules for creating the city where the characters live. Each player contributes locations, faces, themes, and threats to the overall city setup. This way each player has an investment in the city, and it also informs the GM about what things are important to the player/character.
For my Underground game, I had the players create three locations within the city, in our case the fictional neighborhood of Jessup Hill, in LA. One location was to be friendly, one neutral, and one hostile. I then had them do the same thing with three inhabitants: friendly, neutral, and hostile. We shared these as a group, and as a group asked questions and embellished upon them through discussion.
In Technoir, the game is run through a web of characters, locations, and events. The GM does the initial prep to set up the center of the web, and then as the game progresses pulls in new nodes based on the characters’ actions.
For Underground, I wanted the game to be about the characters of Jessup Hill, and so I created my own relationship maps similar to Technoir. These maps included people and locations. I have one map that is centered on the characters, and several smaller ones for different groups that are not revealed to the players…yet.
Dread — Player Questions
In Dread, the GM gives a questionnaire to the players that is more pointed than the traditional 20 questions [LINK] that I have used in the past. These questions are pointed so that there are not any safe answers. They push the player into creating interesting facets of their characters.
In Underground, I created a pointed set of questions with the exact same purpose. I wanted to stress parts of the setting through the questions. One question asked was: “What atrocity did you commit while in the wars, that would not want anyone to know about at home?” There is no safe way around this one, rather the player has to accept the horrific parts of being a soldier within the setting, and to have something that may come up later in the campaign.
Apocalypse World — Factions
In Apocalypse World, the GM creates factions: people or events that countdown to some conclusion. A faction could be a tribe of cannibals who are on a path to attacking the players’ town. As the countdown ticks down, events escalate until either the players disrupt the faction, or the faction reaches their climax.
In Underground, Jessup Hill is in a struggle with a number of factions acting against one another. Each faction has their own agenda, and each is counting down. Over time the players will discover the factions and their agendas, and will have to decide who will be their ally and who will be their enemy.
But Did It Work?
After the players made up characters, I sent them a message with the things that I needed them to prepare, as well as the questions for their characters. We then met face to face and went through everything. As we talked things began to fall into place. One player created a base of operations for the two characters, another created a rival faction, and together we created some additional NPCs that inhabited the area.
When we were done, I had pages of people, locations, and hooks to piece together. I took everything home, and created the relationship map. I then came up with an initial idea for the first session, and through the relationship map was able to tie the event to multiple NPCs and locations, with no effort. As I developed my notes for the session, I pulled in a few other locations and people until I had a full session’s worth of material, all of it created through a collaborative process.
Campaign Setup is the Foundation
A good campaign framework is key to starting off your campaign with a bang rather than a sigh. As good as you think your ideas are alone, trust me when I tell you that when they are combined with the creative imaginations of your players, they will always yield something better, more rounded, and more interesting.
How do you set up your framework for your campaigns? Is your process GM-centric? Do your players contribute? What other games have great campaign setup rules?